Mister X (1967)

Mister X (Italy, 1967) 94 min color DIR: Piero Vivarelli. SCR: Adriano Bolzoni, Eduardo Manzanos. STY: Adriano Bolzoni, Augusto Caminito. MUSIC: Manuel Parada. DOP: Emanuele Di Cola. CAST: Norman Clark, Gaia Germani, Armando Calvo, Anna Zinnemann, Umi Raho, Helga Liné. (Copercines, Cooperativa Cinematográfica)


Many of the Italian superhero films lack an origin story: the hero is already established and well known to the public. In this case, Mister X (also known as Avenger X in some prints) is unpopular among the authorities. When Lamaro (Armando Calvo), a gangster in charge of a narcotics ring, is blackmailed by his secretary, he has her killed and has her death blamed on Mister X. Like Kriminal, Mister X (Norman Clark) is a master of disguise, appearing as a morgue attendant, window washer, etc., to get the goods on the mob ring, when it convenes at a resort. His Mister X costume recalls the jumpsuit and black mask worn by The Phantom in the long-running comic strip. We are reminded that people involved in espionage are less colourful than the James Bond stereotype. Out of disguise (or superhero wardrobe), Mister X is a perfectly average man who can easily blend into the background. He could have been a middle-aged lovelorn character in a film by François Truffaut or Eric Rohmer.

While the characterizations are often superficial, and the finale is rushed, there is still a pretty good caper movie beneath the surface, even without the costume gimmick, benefiting from gorgeous Capri locations, and some memorable sequences including the discovery of the secretary’s body in a stadium, and an amusing bit where the gangsters’ wives talk about keeping their mouths shut to stay healthy. Helga Liné was becoming a staple in these films by now. Here she is again as the duplicitous Gloria.

Greg Woods has been a film enthusiast since his teens, and began his writing "career" at the same time- prolific in capsule reviews of everything he had watched, first on index cards, then those hardcover dollar store black journals, then an old Mac IIsi. He founded The Eclectic Screening Room in 2001, as a portal to share his film love with the world, and find some like-minded enthusiasts along the way. In addition to having worked in the film industry for over two decades, he has been a co-programmer of films at Trash Palace, and a programmer/co-founder of the Toronto Film Noir Syndicate. He has also written for Broken Pencil, CU-Confidential, Micro-Film, and is currently working on his first novel. His secret desire is for someone to interview him for a podcast or a DVD extra.